Weinland: Take Two

Weinland's session with Daytrotter has been posted: A Cold Breeze Offers A Warm Kiss. I'm a little late in alerting everyone, but there it is. I still think my favorite song of Weinland's is Sick As A Gun, but you be the judge.

If you are confused as to who these guys are, you can read my previous post on Weinland.

As a bonus, here's their La Lamentor video:

Weinland

"La Lamentor delivers an impressive set of dusty folk rock ballads that easily recall the quieter side of Neil Young and maybe even some Elliot Smith. It only took one listen for the addictive melodies of lead singer/songwriter Adam Shearer’s best tunes to find a new home lodged inside my head." - Pop Headwound

I had the pleasure of running sound for Weinland (myspace | vimeo) at the Skinless Productions Art Gallery in June. The audio rig at Skinless is small and I pretty much just run vocals and an occasional line in or two.

The point is that Weinland sounded fantastic. Their levels were even across the board. To me, it's a sign of a good band when everyone knows where they fit without needing any help from the sound guy. I just raised the vocals and cello so that they fit in.

But, don't take my word for it. Here are some videos for your viewing and listening pleasure:



Weinland and The Portland Cello Project: "God Here I Come" from Douglas Jenkins on Vimeo.




Weinland with The Portland Cello Project: "La Lamentor" from Douglas Jenkins on Vimeo.


Douglas Jenkins of the Portland Cello Project joined their tour prior to the show. I'm so glad he did. Hopefully the video's can illustrate why.

So go see Weinland play. Tell them, "Chris says hello." They'll tell you stories of the road and be happy to share their time with you. They have super cool t-shirts as well. Thank you guys for a fantastic show and the chance to meet some wonderful people. Best of luck to you all.

Reviews:

• “Sick as a Gun” and “The Devil in Me” both document drunken power games (or the past-times of those who dig drama) and seem set during the yesteryear when drama was an even better game of chess because the advent of cell phones hadn’t introduced its expedited means of conflict-resolution. Consider the following: “Don’t pick up the phone, I’d rather think there’s no one home / And I will leave my voice, and never tell you where I’ve been” (“Sick as a Gun”); “He knows he’ll always love her so he carves it in his arm / Hoping she will call him and break his fucking heart” (“The Devil in Me”). Land lines? Enough time in between calls to get a tattoo? That was another world, one where romantic disputes weren’t solved by deleting friends on MySpace. Such mind games may have been inspired by Weinland’s six-year tenure working with emotionally-disturbed adolescents. Weinland himself has noted that much of the content on this LP was written in the studio while recalling personal stories or everyday struggles.
  -by David MacFadden-Elliott on Crawdaddy!
  


• Having spent most waking and sleeping moments on the road since late March in service of supporting its sophomore LP "La Lamentor," the Portland-based sextet Weinland staged a triumphant return to its native soil in front of a packed, energized crowd at the Aladdin Theater on Saturday night, bringing fellow Stumptown indie purveyors Norfolk & Western and A Weather along for the ride in a terrific all-local bill.
  -by COREY duBROWA on www.oregonlive.com
  

Buy Weinland Music

• La Lamentor


• Demersville